Monday, November 21, 2011

The Dukes of Hazzard: The Complete First Season

  • Actors: Tom Wopat, John Schneider, Catherine Bach, Denver Pyle, James Best.
  • Format: Closed-captioned, Color, DVD, Subtitled, NTSC.
  • Language: English (Dolby Digital 2.0 Mono). Subtitles: English, Spanish, French.
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 637 minutes.
Join Luke and Bo Duke--a couple of good old boys--and their cousin Daisy Duke as they stay just ahead of the sheriff in their souped-up 1969 Dodge Charger, The General Lee, and have fun thwarting the plots of the corrupt county boss.

DVD Features:
Audio Commentary:Commentary by John Schneider and Catherine Bach {episode: One Armed Bandits}
Documentary:The 20th Anniversary Hazzard County Barbeque {reunion documentary RT 30:00}
Featurette:Dukes Driving 101: A High Octane Salute {featurette including interviews w/ professional race car drive! rs RT 8:00}
Other:The Dukes of Hazzard : The Return of the General Lee video game trailer

The Dukes of Hazzard was part of America's redneck fetish in the mid-to-late 1970s, otherwise evident in popular songs, movies, and television shows highlighting fast cars, truckers, citizens' band radio, moonshine, irreverent hicks, and clueless lawmen. Created by writer-producer Gy Waldron and inspired by his own 1975 bootlegging comedy, Moonrunners, Dukes milked seven seasons of material from the tale of a Deep South family of reformed whiskey-makers and their running feud with a greedy impresario and his chief lackey, a buffoonish, venal sheriff.

This three-disc set includes all 13 initial episodes of Dukes from 1979, a period fans fondly recall because some of the programs were shot on location in Covington, Georgia, rather than a Burbank backlot. Also noteworthy is that a couple of key characters, particularly Hazzard County's co! rrupt lawman, Roscoe P. Coltrane (James Best), hadn't gelled y! et into permanent hayseed stereotypes and were arguably more interesting at the beginning. At the center of the action is Sheriff Coltrane's nemeses, cousins Bo Duke (John Schneider) and Luke Duke (Tom Wopat), a couple of wild boys buzzing through the backwoods in the "General Lee," a souped-up Dodge Charger. Bo and Luke are good at heart but have to behave themselves while on indefinite probation, complicating but not halting their efforts to vex Roscoe and his patron, diminutive bigwig Boss Hogg (Sorrell Booke). The enmity runs both ways: Roscoe and Boss Hogg, with the aid of witless Deputy Enos Strate (Sonny Shroyer), dream up ways of eliminating the Dukes--including their wise old Uncle Jesse (Denver Pyle)--but their efforts always backfire.

While every episode is a variation on the previous one, predictability is a virtue in Dukes. The series pilot, "One Armed Bandits," finds Luke and Bo, with help from their sexy cousin, Daisy (Catherine Bach), diverting slot machi! nes (smuggled into Hazzard County by Roscoe and Boss Hogg) to sundry watering holes where they can raise money for Bo's girlfriend's charity. In "Money to Burn," Boss Hogg tries to frame Bo and Luke for robbing an armored truck, while in "Deputy Dukes," the unarmed guys are forced by Roscoe to escort a deadly prisoner from one town to another. The Dukes hit back in "Daisy's Song," investigating a scam that took Daisy for $50 and implicates, of course, Boss Hogg and Roscoe.

Yes, it's a show about rubes, car stunts, and a legacy of moonshine, but there's something comforting about it, in a tongue-in-cheek way. --Tom Keogh

Great Directors: Volume 1 (Dersu Uzala / The Mirror / Les Bonnes Femmes / Il Grido / Circle of Deceit) (5D)

  • GREAT DIRECTORS VOL. 1 (DVD MOVIE)
Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS. Bernardo Bertolucci, David Lynch, Todd Haynes, Richard Linklater, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes and Catherine Breillat open up about their extraordinary careers with unexpected candor and humor. Ismailos gets them to talk about their artistic evolution from their debut works to their recent triumphs, as well as the role that politics and history play in their films. David Lynch discusses how Mel brooks netted him his job on THE ELEPHANT MAN as well as his travails with the studio on DUNE. And the all honor their influnces, from Todd haynes on Fassbinder and Breillat on Ingmar Bergman, to Lynch on Billy Wilder and Hitchcock. GREAT DIRECTORS is an illuminating and surprising cras! h course on the state of contemporary cinema, and an example for where it might be headed.

SPECIAL FEATURES: Over three hours of additional interviews with these award winning directors, promotional trailer.AKIRA KUROSAWA
ANDREI TARKOVSKY
CLAUDE CHABROL
MICHELANGELO ANTONIONI
VOLKER SCHLONDORFF

Akira Kurosawa s DERSU UZALA (1975, Color, 140 Minutes, Letterboxed) Winner of the 1975 Academy Award for Best Foreign Language Film, this Kurosawa epic is a Siberian adventure that features stunningly photographed battles of man dueling nature.

Andrei Tarkovsky s THE MIRROR (1974, Color/B&W, 106 Minutes, Full Frame) Tarkovsky s most personal (and beautiful) work, The Mirror delves into his childhood to conjure up a stream of sublime images that reflect a WWII-scarred youth and a haunted future.

Claude Chabrol s LES BONNES FEMMES (1960, B&W, 93 Minutes, Letterboxed) One of the most erotic and suspenseful treats of the French New Wave, this Chab! rol-helmed classic tracks the loves and stalkers of four prett! y shopgi rls who soon discover the dark side of passion.

Michelangelo Antonioni s IL GRIDO (1957, B&W, 115 Minutes, Full Frame) One of Antonioni s unsung masterpieces, Il Grido is a wrenchingly bittersweet tale of lost love replaced by lust, achieving a tragic poetry unequaled in the great director s illustrious career.

Volker Schlondorff s CIRCLE OF DECEIT (1981, Color, 108 Minutes, Letterboxed) This explosive tale of sex and politics in war-torn Beirut is one of the richest films in Schlöndorff s career. Setting up a minefield of ethical conundrums and personal jealousies, it s a scorching take on the modern media.

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